The interminable probing of the causes of my melancholy and my inability to cope with life was fruitless and wearying. Still I did not feel worn out or exhausted but full of dark urges, convinced that I would yet succeed in creating something deep and good, in snatching a bit of luck from life. But would this lucky moment ever come? I thought with bitterness of those high-strung modern artists who drove themselves to the pitch of artistic creation with the help of artificial stimulants, whereas I allowed my resources to lie untapped within me. I tried to analyze what kind of block or demon was constraining my soul within this vigorous body. Too, I was possessed by the notion that I was someone unusual, someone whom life had mistreated and whose suffering was unknown to anyone, who was misunderstood.
The diabolical thing about melancholy is not that it makes you ill but that it makes you conceited and shortsighted; yes, almost arrogant. You lapse into bad taste, thinking of yourself as Heine's Atlas, whose shoulders support all the world's puzzles and agonies, as if thousands, lost in the same maze, did not endure the same agonies. In my state of isolation and estrangement I too failed to realize that the traits and peculiarities of character I took to be exclusively mine were in fact part of my family's heritage, my family's affliction, and proper to all Camenzinds.
--Hermann Hesse, Peter Camenzind (1953)
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